I'll be limiting myself to 2 sentences about each. And mentioning a favorite scene.
10.
Spider-man 2 (Sam Raimi - 2004) The movie mixed brilliant elements of elaborate stunts and well defined character, giving us conflict not just in explosions but in emotions. It paid perfect homage to its source material while still finding a necessary heaviness and an original voice in its new media.
Scene: Doctor Octopus wakes up in the operating room and wreaks Raimi-style havoc on the staff.
9.
Cache (Michael Haneke - 2005) An ambiguous and quietly horrifying, unsettling film about memory and grudges, personal privacy and the French occupation of Algiers. Haneke revisits the grotesque, from his over indulgence in Funny Games, but to more startling minimalism and more frightening effect.
Scene: Georges' nightmares and flashbacks.
8.
About Schmidt/ Final chapter of
Paris Je t'aime (Alexander Payne - 2002/2006) (cheater) The sadness and desolation of old age shown through the long stretches of Nebraska highway. All this flat sadness, these poor interactions with one-off characters add up to a crescendo ending that turns the film on its own ear. Payne was the only one who seemed to understand what the compendium film Paris Je t'aime was really supposed to be about, there were enjoyable moments in the other chapters but nothing like this.
Scene: Schimdt putting on his wifes facial cream in the mirror
7.
Adaptation (Jonze/Kaufmann - 2002) They took the meta-film Being John Malkovich and made it a meta-element in this meta meta meta... Nicolas Cage shows that he has just been cashing paychecks since this because he was beyond belief good here in a double role as Charlie Kaufmann and his twin Donald.
Scene: Any scene where Meryl Streep is interacting with Chris Cooper, particularly the phone call when she is 'interested' in things.
6.
Royal Tennenbaums (Wes Anderson - 2001) Anderson gets his schtick on here before it was the thing people expected from him; he takes the mundane and drives it to the point of being a starring character. Spectacular performances by a wide range of actors, Hackman should have won so many things for this.
Scene: Royal telling Etheline he has cancer, then briefly doubting his plan, then sticking to his story.
5.
No Country for Old Men (Cohen Brothers - 2007) I didn't think I loved it, I wasn't even sure I liked it, but I know that one thing is true: I cannot forget it; particularly the music choice or the lack of any, taken in a wrong direction this bleak period film could have devolved into a suspenseful serial killer romp, but its silence and eeriness speaks volumes.
Scene: Chigurh in the bedroom waiting for Llewellyn's wife.
4.
Punch-Drunk Love (Paul Thomas Anderson - 2002) The absolute best abuse of typecasting was putting the Adam Sandler character in a world out of his own creation and making us actually feel for him the madness of emotions he claims to convey in his other roles.
Scene: Barry in the grocery store, plotting and dancing.
3.
Dark Knight (Chris Nolan - 2008) Not so much a superhero film as a crime movie with a hero in a costume; Borrowing from several sources and building upon a mythology long established on screen, Nolan finds an acceptable reality for a costumed hero to be palpable. This is what any block buster should hope to be: awesome effects and surprises, excellent characters and performance, never over shadowing a story with heft to it.
Scene: Interrogation scene.
2.
Waltz with Bashir (Ari Folman - 2008) A war movie without a hero was the aim in this animated documentary; like Cache, it served to highlight a near forgotten tragedy, though more in your face about it. Folman had been involved in the Sabra and Shatila Massacre, and had virtually no memory of it, this, with a remarkable conclusion, is his quest to sort out details through interviews with his fellow soldiers.
Scene: Good Morning, Lebanon.
1.
Ratatouille (Brad Bird - 2007) High aims for children's entertainment, this movie seemed to say just what I needed to hear, and animate just what I needed to see, with so little of its material having been said or done in mature films to such great effect. Amid directorial troubles and a cliched character situation, (an animal who wants to be like people? crazy!) this movie rises above expectation and beyond what it should have or could have been to become a criticism of criticism, a treatise on art, and an admonition against mindless consumption that so many feel the need to educate against.
Scene: Remy speaking to his father outside the butcher shop.
Honorable Mentions:
Unbreakable (M Night Shyamalan - 2000)
Michael Clayton (Tony Gilroy - 2007)
Humpday (Lynn Shelton - 2009)
Sean's List